Thursday, August 8, 2019

An Overview of Art Historical Movements and their Effect on the Movies Research Paper

An Overview of Art Historical Movements and their Effect on the Movies - Research Paper Example This is an American animation kid’s film. There is a lot of martial arts influence in the animation, which makes it different from previous films of its kind. It is however similar to some American film structures, for example, the TV Series Smallville. In this film, the main character, Clark Kent, is also sent to earth with a specific mission. In his quest to fulfil his mission, a character is developed, other characters come in, and a long TV series is formed with varying episodes. Currently, American films are so much influenced by martial arts. Samurai Jack is an American film based on a Japanese story. The presence of martial arts is, therefore, not a surprise, but it is an indication of the acceptance of martial arts, and its influence in American films. Martial art has been shown as a necessary skill in fighting evil (Schehr 102). The film is a sub-genre of animation, an animated children’s film. These sub-genres are designed for specific age demographic and the young. They usually explore the incredible world (Jenkins 7). This is exactly what Samurai Jack is all about. Jack is a superhero who travels around the world to learn different forms of combat. He is the only person with the powers to stop a shape shifting wizard. This is a world of fantasy, for all that Jack is portrayed as capable of, are exaggerated. The story, like any other animated children films, is centred on a leading role that has to fight in a scenario of good over evil (Jenkins 9). Jack has to fight the main villain, Aku, and other evil people that he comes across in his journey to fulfil his mission (Walt Cartoon). Samurai Jack Meets Wong Fei Hung episode. Almost everything is a replicate of scenes as seen in other martial arts movies. Wong Fei Hung is shown sitting down in a position similar to all other martial art teachers. The

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